![]() The C200 is ‘supposedly’ the most expensive, though we need to finish our comparisons before we know which system costs the most. *The list of accessories is not complete. Let’s start with the camera bodies: Camera ^^All of these cameras can do 30 minutes or above.īecause this is a fun comparison, only one camera will stand when the dust settles.**If you don’t agree with this stop reading!. ![]() *You don’t really need shallow DOF, but a cinema camera is expected to have this ability when the need arises.Have a rugged construction to withstand some abuse.Large sensor that can deliver a shallow DOF*.I’ve chosen the following traits that people have come to expect from a cinema camera: Cinematic dynamic range (an audience shouldn’t be able to tell it was shot on video).Must be RAW video so you can color grade it.Don’t take any decisions based on this comparison. Important: For accurate information please consult manufacturers’ websites and data. With the additional RAW module or accessories, the price goes well over $10,000. I have compared these cameras previously here. What about the Canon C300 Mark II and the Sony FS7 Mark II? It is pointless for me to talk about a camera that the majority of my readers can’t buy or use. Kinefinity have no dealers in the USA or India, so it’s impossible for me to see one let alone get a sample to test. Why no Kinefinity products, like the Terra 4K and Mavo? You could use this comparison as a guideline for other types of productions, though. Other kinds of video productions can also shoot in 4K RAW, but it’s unlikely, and the needs are different. A complete visual representation of the filmmaking process from beginning to end.Īs far as workflows are concerned, I’m prioritizing cinema workflows – short films, feature films and web-series. Exclusive Bonus: Download your FREE Blueprint: How to make a movie.
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